Reliable operation in a variety of conditions is ensured by a design that prevents dust and moisture from entering the lens. This makes it possible to achieve smoother, more natural defocusing in your images - including artistic blurring or 'bokeh' - andgreater control over the depth of field. The unique nine-blade circular design lets the aperture remain almost perfectly circular even when stopped down by two stops. This creates shots with enhanced contrast, clarity, and overall imagequality. This lens coating has been designed to accurately transmit light while reducing the negative effects of glare, reflection, and ghosting. The use of an internal focusing group, rather than a moving front lens element, makes for a compact design that works well with accessories like lens hoods and polarizing filters. The quiet and fluid movement is perfect for shooting movies and fast-paced action, or whenever changing focus quickly and often. This makes it possible to capture dynamic horizontally panned shots while effectivelyminimizing shake induced blur in other axes.Ī constant F4 aperture across the entire 70-200 mm range means you can zoom and reframe as necessary without having to think about changing exposure settings.įocusing is fast and precise thanks to dual linear motors. The first image stabilization mode switch in an a lens provides a "panning mode" that allows Optical SteadyShot image stabilization to remain active while panning. Sharp, clear telephoto shots are easier to achieve, and indoor shots in dim lighting can be captured without the need to boost ISO sensitivity and risk increased noise. All controls, including focus hold and focus range limiter switches, have been designed for intuitive operation so the user can concentrate on the image.īuilt-in Optical SteadyShot image stabilization compensates for camera shake that can blur images when shooting handheld. You can still capture quality images with the FE 28-70mm F3.5-5.6 OSS and as it weighs only 295g (10.5oz) it’s the perfect option for an. Internal focusing is an advantage too, maintaining constant lens length for better all-around handling. While we don’t typically include the standard kit lens in our lens guides, the FE 28-70mm F3.5-5.6 OSS is undoubtedly one of the best options when it comes to using a budget zoom lens on your Sony A7III. This compact, lightweight full-frame E-mount zoom lens maximizes mobility as well as balance with a7 series bodies. A nine-blade circular aperture extends the lens's expressive capabilities by contributing to gorgeous background bokeh with natural highlights. Precision AA (advanced aspherical) elements, super ED glass, and the Nano AR coating work together in an advanced optical design to deliver high resolution throughout the entire image at all focal lengths. G Lenses are manufactured to exacting tolerances and individually tested to ensure that each and every unit meets the same high standards of image quality and creative control. State-of-the-art optics in a compact, lightweight lens with constant F4 maximum aperture offer the appealing, expressive image quality that the G Lens lineup is famous for. In this guide we've included FE-mount full frame lenses lenses, followed by a specific section for E-mount lenses designed specifically for Sony APS-C cameras.70-200mm E-mount G lens with Optical SteadyShot for stable images, F4 aperture and two ED glass elements. So, for example, a Sony FE 12-24mm f/2.8 G Master lens mounted on an A6000 body will produce an 'effective' focal length of 18-36mm, meaning the lens won't fit as much into frame as it could if fitted to a full-frame camera. However, the 1.5x crop factor of an APS-C camera will extend the lens's focal length by 50 per cent. Full-frame lenses (with 'FE' in the lens name) are designed primarily for Sony A1-, A7- and A9-series cameras, but can also be fitted to A6000-series E-mount APS-C cameras. One thing to bear in mind, however, is that a lens's focal length does depend on the camera you pair it with. Thankfully you don't have to pay over the odds, and many great lenses are available for discounted prices. But whatever kind of lens you’re buying, it always pays to get a good one. With so much to offer, a wide-angle lens is one of the best Sony lenses you can get if you're still building your lens collection. Get close to your subjects and a wide-angle lens can also let you exaggerate perspective to give your shots more visual impact.
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